N. A. BERDYAEV (BERDIAEV)
CHRIST AND THE WORLD
[Reply to V. V. Rozanov]
(1908 - #149)
(V. Rozanov is one
of the greatest Russian prose writers, a genuine magician with the word.)1 V. V. Rozanov frightens Christians, both the old, and
the new. They are embarrassed to have to ward off his blows, they consider
him a very dangerous opponent of Christ, as though Christ could have dangerous
opponents, as though the deed of Christ could be struck undeflectable
blows. And Rozanov is an enemy not of Christianity only, not of “historical”
Christianity, but first of all of Christ Himself. Christianity is not
so repulsive for him, the whole of Christianity was a compromise with
the “world”, within Christianity has become pervasive a principle of household
management, within the elements of Christianity has coalesced a familial
way of life, and Christianity has created the strangely-felt way of life
of the white clergy, for Christianity has decided to eat its “jam-preserves”,
to be fruitful with children, and it accepted within itself almost the
whole “world”. Christ for Rozanov was worse than Christianity: Christ
was pitiless towards the world, Christ was frightening with His world-denial.
The whole of Christianity however has been humanly complaisant, condescending
towards the weak, and Christianity within history did not pose so sharply
the dilemma: “Christ” or “the world”; it adopted some from Christ and
some from the world. And Rozanov is not so altogether hostile to the Christian
way of life. To much of this way of life he is attached, his unctuous
love for family grew out of this lifestyle. Rozanov is an enemy of Christ,
and only the absence of genuine bravery compels him to mask this hostility
and lead into error good people, who continue to think, that Rozanov demands
merely the readjustment of Christianity, that his aims are reformational,
that he is prepared to accept Christianity, but with reservations, with
theatrics and jam-jelly, with the pleasures of the world. The times are
so gone to ruin, that Rozanov appears as a reformer of Christianity, when
in fact he is a terrible and implacable foe of the faith of Christ, more
terrible indeed than was Nietzsche. A brilliant and charming literary
talent, with boldness and a perceived concreteness in the positing of
questions, a strong mystical sense -- all this is impressive in Rozanov,
and he almost hypnotises amidst the reading of his articles. But he is
not so terrible a devil, as they point him out to be. A philosophic and
religiously bright consciousness without especial effect might find a
tangle in the very setting forth of Rozanov’s theme, and this tangle is
not by chance, not from some pervasive mental weakness of Rozanov, but
rather a fatal tangle, ultimately in intent dispatched for ends such as
Rozanov’s.
The theme of Rozanov, and to a remarkable degree also
of “Novyi Put’” (“The New Pathway”), and both the former and the
current “Religio-Philosophic Gatherings”2
-- was of Christ and the world, the relationship between Christ and the
world. Rozanov with extraordinary talent and brilliance developed in his
article, “Ob Iisuse Sladchaishem i o gor’kikh plodakh mira” (“On Jesus
MostSweet and the Bitter Fruits of the World”), and it is this article
chiefly that I shall address in the present (article) [reply]. From God
there is the child-Christ and the child-world. Rozanov sees an irreconcilable
hostility between these two children of God. For whomever Jesus is the
sweeter, for that one the world is rendered bitter. In Christ the world
is embittered. Those, who have come to love Jesus, have lost their taste
for the world, all the fruits of the world have become bitter out of the
sweetness of Jesus. All this was written with an amazing vividness, glaringly,
boldly and at first impression dangerously. One mustneeds choose between
Jesus and the world, between the two children of God. It is impossible
to unite Jesus with the world, it is impossible to love them both at the
same time, it is impossible to sense both the sweetness of Jesus and the
sweetness of the world. The family, science, art, the joy of earthly life
-- all these are bitter or tasteless for the one who has tasted of the
heavenly sweetness of Jesus. In the marvelous expression of Rozanov, Christ
-- is an one of a kind flower, and this means all the flowers of the world
set in comparison with Him. In the “Imitation of Christ” is praised this
sweetness of Jesus and the bitterness of all the fruits of the world.
And in the “Confessions” of Blessed Augustine it is filled with a fondness
for Christ and a dislike for the world. Rozanov himself does not like
to dot the i, he is given to equivocation, and he never makes the decisive
deductions, leaving it to the conjecture of the reader. But the dilemma
is suchlike: if Christ is Divine, then the world is demonic, or if the
world is divine, then Jesus is demonic. Rozanov is attached to the world
with all his being, he loves in the world everything worldly, he feels
the divineness of the world and the sweetness of its fruits. Jesus MostSweet
became for him demonic, and the face of Christ -- darkened.
Rozanov’s settings of the
question produce a very strong impression, whereas all the expressions
of the apologetes of Christianity are but insipid and weak. Rozanov speaks
concretely and at first glance clearly, he provides a feeling for the
question in all its acuteness, he stuns and hypnotises. He is crude, when
he drags a monk into the “theater”, but the monk actually is presented
as hapless. The chatter of the official defenders of the Church is not
convincing, and the impression remains with everyone, that Rozanov has
proven, has graphically demonstrated the absolute opposition between Christ
and the world, the absolute incongruity of the sweetness of Christ with
the sweetness of the world. Christ for Rozanov is the spirit of non-being,
the spirit of the diminishing of everything in the world, and Christianity
-- is a religion of death, an apology for the sweetness of death. The
religion of birth and life ought to declare irreconcilable war against
Jesus MostSweet, as a poisoner of life, a spirit of non-being, the founder
of the religion of death. Christ has hypnotised mankind, has inspired
a dislike for being, a love for non-being. His religion has acknowledged
as but solely beautiful -- dying and death, sorrow and suffering. Rozanov
writes quite talentedly, he speaks very vividly, he says much that is
accurate, but his very point of departure -- is false, and his very settings
of the question -- are illusory and confused. Rozanov -- is an ingenious
philistine, and his question ultimately is a philistine, bourgeois,
everyday ordinary question, but formulated with brilliant talent. Rozanov
also tends to strike hold with this, in that he bespeaks something close
to the philistine heart, that the question about the sweet and the bitter
fruits of the world grabs hold the attention with the bourgeois of this
world, it throws into confusion the official Christianity, further still
transported into philistinism. Rozanov’s family, jelly-jam, theatres,
pleasures and joy of the felicitous life are acceptable and close to every
philistine realm, which sees in this also the essence of this “world”
and it is “this world” which would as it were be saved from the hypnosis
of Jesus MostSweet. For Rozanov, being is what is, and the “world” is
the sweetness of the lived life. This is very deep, in this -- is power.
Rozanov suggests, that every philistine-fellow
knows, that the “world” is suchlike, he sense it as the bearer of the
joys of being, with the family, the sweets, the adornments of life, etc.
The philistine-fellow knows, but the philosopher does not know. The question
about the world is very unclear and undefined, and in this passing
off of the unclear and undefined in place of the clear and defined, the
passing off of the sought for in place of the found -- lies all the slyness
of Rozanov and the empowerment of all his whole secret. What is the suchlike
world, and about what sort of world is it being spoken? What sort of content
does Rozanov invest in the word “world”, and is this world the aggregate
of empirical appearances or of the positive fullness of being? Is the
world everything of the given, a medley of the authentic with the illusionary,
the good with the evil, or only the authentic, the good? If the question
about the world be taken as applying to the aggregate of everything empirically
given, in which the sweetness of jelly-jam occupies the same spot as would
also the sweetness of the greatest of artistic works, then this question
for us is almost not worth the interest. The eternal in the world and
the perishable in the world cannot be taken in the same regard, and the
very settings of the question about the world without any differentiation
of values is impermissible. Such a world is a “world” in parentheses.
Our factually given and investigated world is a medley of being and non-being,
of actuality with the illusory, of eternity with the perishable. What
sort of world is Rozanov fond of, what is it from the world he would affirm,
in what sort would live? I am afraid, that Rozanov demands from religion
a factual mishmash of the genuine and valuable, all mixed up with the
false and worthless. But the religious is not a question about the world,
rather it is the question about the authentic, the real world, about the
fullness of being, about the values of the world, about the extra-temporal,
the imperishable content of the world. Simply to affirm “this world” --
means to affirm the law of decay, of servile inevitability, of necessity
and sickness, deformity and falsification. The world lies in evil, but
the positive fullness of being is a supreme value and good, and the valued
and joyful in the world is an actual being. Rozanov can only succeed in
standing afront the evil of this world, to deny this evil he cannot, to
confront the results of this evil is beyond his powers. From whence is
death, at the same time hateful to Rozanov and to all of us, from whence
hath death come into the world and wherefore been taken hold by it? Does
Rozanov consent to acknowledge death as an essential part of this world,
which he so loves and which he defends against Christ? Not from Christ
hath death come into the world: Christ came to save from death, and not
to bear death to the world.
Christ came to separate
the genuine and the valuable in the world from the false and the worthless,
the Divine from the diabolic. Christ -- is the Saviour of the genuine
world, that which is authentic and of the fullness of being, the Divine
cosmos, wounded by sin, and not the inauthentic world, not the chaos,
not the kingdom of the prince of this world, not the non-being. Christ
hath judged the perishable, the illusory and chaotic world: the Kingdom
of Christ is not of this world, and Christ taught not to love this world,
nor that which is of this world. But worldly factuality is neither of
this world, nor of that world, but a medley, an admixture of that other
world with this, the wounded and sickened creation, both being and non-being,
both the valuable and the worthless. Christ had to have come, since that
the old world, the sinful world fallen away from God, had rotted, rust
undercut all the foundations of the world, and anguish encompassed the
world. The old immanent feeling for life, so captivating for Rozanov in
paganism and Judaism, was conjoined together with a transcendent feeling.
A tragic experience thus transpired always at the threshold of every religious
turnabout. The old world, left on its own, could not save from the perishing,
within this world it had not the power to save from the power of the all-encompassing
death. Self-deification is ruination, the theosis or making-Divine by
the Son of God is salvation. Rozanov desires an immanent salvation through
the world and he repudiates the transcendent salvation as non-being and
death, he sense the divine within creation, but he is deaf and blind to
the tragedy, bound up in the rift betwixt the creation and the Creator.
Rozanov’s feeling for
the world can be termed an immanent pantheism, in it is lodged
a powerful primal-feeling of the divinity of worldly life, a non-mediated
immediate joy of life, but very weak in it is the sense of the transcendent,
quite foreign to him is a transcendent anguish and expectation of a transcendent
exodus. Rozanovism is a peculiar mystical naturalism, the deifying of
the natural mysteries of life. In the XX Century, during the sunset years
of human history, Rozanov is living out the naturalistic phase of religious
revelation, he thirsts for a world-wide historical childhood and naivete,
and he fails to notice the senility and decrepitude of this restoration
of the first days of mankind. Rozanov’s naturalistic pantheism is the
senile lapsing into childhood with mankind. Only in deep old age can be
remembered the days of childhood and youth, the relishing of past delights.
And Rozanov, the mystic Rozanov, in whom there are ingenious insights,
deifies the good and the joys of this life, he worships familial felicity,
looking forward with a childlike enthusiasm to the sweetness of jelly-jam,
and then imperceptibly taking a tumble over into an apology for his everyday
ordinary aspect and philistinism. He identifies the world with the felicitous
life of the natural familial sort. He wants as though ultimately to deify
the life of the natural familial sort. But we have seen already, that
this “world” so dear to Rozanov is all still subject to the law of decay,
and Rozanov lacks the ability to repose such, as in death did Abraham,
Isaac and Jacob, blessing their posterity, in him there is not such a
strength of the impersonal, fine indeed only for that world epoch; even
he does not consent to live but in his posterity, and he is deeply caught
up in the final phases of the worldwide religious revelation, and his
blood is infected with Jesus MostSweet. A restoration never transpires
as it was intended to be restored.
And as
fine as the religion of Babylon was in its time (but for its time it was
a poor one, since then already there were higher forms of religion), after
Christ and the whole experience of modern history the restoration of the
Babylonian religion is folly or child’s play. Historical science has sufficiently
dissuaded us of the existence of a Golden Age, and the religious consciousness
can see in the sweet remembrance of a Golden Age not some sort of earthly
epoch in the past history of mankind, but rather a sense of its own extra-temporal
and extra-worldly closeness to God, transgressed by sin. We have lost
paradise, but this paradise was not Babylon, nor Judaism, nor paganism,
nor overall any earthly past of mankind, as Rozanov is inclined to think,
but rather the heavenly origin of mankind. Yet as we see, Rozanov is oriented
not only backwards, he looks forward also and he conjoins with this the
expectations of an earthly paradise in the future. Unexpectedly for him,
he is prepared to give a mystical hue to the array of the Babylonian turret-tower,
and he would justify the deification of the old natural world upon the
social arrangements of the future. He imperceptibly approaches the pathos
of positivism and greenly naive radicalism, and with rapid strides he
gets almost to Pisarevism, but he remains an artist, not having been wrought
an artisan.
Rozanov is a man immersed
in being, in him there is an intense sense of a man immersed in life and
with a very weak sense of person. Personal self-consciousness for Rozanov
is almost entirely lacking, just as it tends to be lacking in modern man.
Rozanov also therefore lacks the awareness of the tragedy of death, the
tragedy of personal fate, the terror at the individual perishing. Rozanov
has something in common with L. Tolstoy, in the feel for life, in them
there is mutual aspect, in that they sense worldly life akin to the Old
Testament manner. Just like Tolstoy, Rozanov facing the world unwraps
“the child’s diaper with its green and yellow” and with this diaper he
wants to conquer death and personal tragedy. The “Kreutzer Sonata” was
only a revenge side of this diaper. Both L. Tolstoy and Rozanov arrive
at a reinforcing of the everydayness, at a philistinism inconsistent with
their religious searchings. Rozanov decides thus the problem of death:
there were two men, and between them were born eight children, two die,
but in the eight there is a triumph and life is increased. Salvation then
from death -- is in the shattering of each being into a multiplicity of
pieces, in a bad infinity, and consolation for the person -- lies in the
disintegration of the person. Rozanov opposes to death not eternal life,
not resurrection, but rather birth, the arising of new and other lives,
and so on without end, without exit. But this method of salvation from
the tragedy of death is possible only for a being, which senses the reality
of the race and does not sense the reality of the person. This consolation
tends to delimit human reproduction on a par with cattle breeding.
In the
Old Testament and aboriginally-pagan racial mindset, the person was obscured,
hardly awake from the sleep, into which its sin had cast it. The whole
of world history was a gradual awakening of the person, and in our much
troubled and much complicated epoch the person has awakened with a shriek
of terror and helplessness, torn away from its racial aspect and only
now able to attach itself to something new. Rozanov pulls the person backwards
towards the racial element and he wants to convince the world, that to
return is possible, that it is necessary but to renounce Christ, to forget
Christ, that Christ is the culprit behind the hypertrophy by the personal
by means of sensing, that if Christ were not, there would not be the tragedy
of death, it would not be felt so sickeningly and the terror of death
and destruction come but from a glance at the diaper, soiled in green
and yellow. The world for Rozanov is the race and a living for the race,
whereas the person is somewhere on that other side of the world, with
Christ. The feeling of the person and a consciousness of its tragic fate
-- is transcendent, it goes beyond the borders of that which Rozanov terms
the “world”, and therefore so tragic and tormentive is its fate in this
world.
But everything that has been
of value, genuine within the history of the world, was transcendent,
it was a thirst to go beyond the boundaries of this world, to break out
from the restraining circle of immanence, it was an exit to another world,
and the penetrating of another world into our world. The transcendent
becomes immanent to the world -- here is in what lies the meaning of world
culture. The whole of human creativity has been a troubling over the transcendent,
over another world, and never has creativity been a reinforcing of the
joys of the natural racial lifestyle, it was never an expression of the
sufficiency of this life. Creativity has always been an expression of
insufficiency, a mirroring of the torment of dissatisfaction with this
life. It is not only art, philosophy, culture and all the creativity of
culture which per se indicate the transcendent distress of mankind, but
also love, sexual love, so very close and dear for Rozanov, standing at
the centre of everything, -- this too has been a thirst for a transcendent
egress, an unsettling desire to break free from the bounds of this world.
Sexual love is already more, than this “world”, it is already a dissatisfaction
with this “world”. And Rozanov himself acknowledges the transcendent character
of sex.
To justify love, art, philosophy,
all the creative impulses -- means also to reveal their transcendent character,
to see in them the potential for an egress from this world. Family is
still this world, it has delimited horizons, but love is already another
world, it is an expanding of the horizons to infinity. Positivism is of
this world, forever with delimited horizons, but metaphysics is of another
world, it is remoteness. The immanent pantheism, towards which Rozanov
gravitates, is likewise a poetised sort of pantheism, a peculiar perspective
of a mystical positivism. The societal order of the human realm is of
this world, and all this is a delimited horizon, but the vision of the
unification of people within a Kingdom of God on earth is already of another
world, the surmounting of every restriction. People love to talk about
Greek culture and the affirmation of the world within it in contrast to
a world negation within Christianity. But the greatest things in Greek
culture -- were an egress from this world, a consciousness of the immediately
obtaining world, it was already a path towards Christianity. The whole
Medieval culture, rich with creativity, and full of beauty, was built
upon a transcendent feeling. In this culture there was also love, with
the cult of the Fair Lady, and art, and philosophy, and chivalry, and
public festivity. Was all this, in light of Rozanov, an affirmation or
a negation of the world? I include all these examples to effectively show
all the shakiness of the settings about the “world”. That “world”, which
Rozanov so frets about, does not at all exist.
To religiously justify history,
culture, the flesh of the world -- does not mean to justify family, the
racial lifestyle and “jelly-jam”. It means rather to justify the transcendent
thirst as regards an other world, embodied within world culture,
to affirm in this world a thirst for an universal exodus forth from the
natural order of nature, of evil and decay.3 I am emboldened even to think, that between the world
and the family, in the name of which first of all Rozanov rose up in revolt
against Christ, there exists [a deeply irremedial] opposition. The family
itself makes pretense to be the world and to live according to its own
law, [the family] (it often) cuts man off from the world, not infrequently
it deadens man for the world and for everything, that is created in the
world. [Between the world and the family there exists quite greater an
antagonism, than between the world and Christ. It has already been sufficiently
demonstrated and shown, that nothing so gives hindrance to an universal
sense of world life and the worldly ends of history, as the fortress of
the racial family. And not only between the family and the world does
there exist an opposition, the opposition exists also between the family
and love, in the family love all too often becomes buried away.]
Every reinforced and delimited
way of life is opposed to creativity, to the age-old antagonism with the
universal and the worldwide. But Rozanov wants us to put the familial
lifestyle before the universal, before the great world of God. The hostility
of the racial lifestyle and the racial family to universal creative impulses
does not require any especial proofs, the fact is all but evident. Here
is why Rozanov’s “world” presents itself to me as a fiction, which seems
clearly discernable for the common everyday consciousness. This “world”
is an hodgepodge of being with non-being, and the religiously important
thing is not the question about the “world”, but rather the question about
worldwide historical creativity in this “world”, that of being.
And the immanent religion of this world is but an apotheosis of philistinism,
one aspect of which Rozanov comes nigh to. This “world”, taken in itself,
is but only worthy of the fire, but in its history there is affirmed an
other, a genuine world, in it there is a Divine-human connection, in it
there are creative impulses towards the Divine cosmos, in it there is
the universal path towards a new heaven and a new earth, in it there is
deliverance from evil, and with these matters is connected the religious
question about the affirmation of the world.
All more and more a degenerated
monasticism denies not the world, -- this world via the smuggler’s pathway
penetrates into the monastic lifestyle, there is much of the jelly-jam
in the monasteries and little of the Gospel “mourning with ashes”, --
monasticism denies creativity, the penetration into this world of an other
world, it denies the history of the deliverance from evil of this world.
Monasticism has gotten mired down in this “world”, it has sundered its
connection with the ascetic Christian mysticism; furthermore, the official
Christianity has already become transformed into the lifestyle, of which
there is much that is dear to Rozanov’s heart. But monasticism continues
to deny the values of the world, it contemns creative impulses, it is
hostile to deliverance from the powers of this world, it esteems the evil
of the world and the justification of its existence. Monks, bishops, the
princes of the Church, the historical masters over religion -- these (usually)
are people of quite worldly a lifestyle, the established rulers of this
world. We cannot believe, that these people are not of this world, and
their seeming denial of the world is but one of the ruses of this “world”.
And we [rise up] (are prepared to rise up) against the hierarchs of the
Church, against the official Christianity, not in the name of the world,
but in the name of an other world, in the name of creativity and freedom,
in the name of the thirst to break forth from the bounds of this world,
rather than to reinforce them. The worldwide historical significance of
ascetic Christian mysticism -- is in a challenge to the whole natural
order, a struggle against natural necessity, in the theosis-deification
of human nature in union with Christ, in the victory over death. This
asceticism of the Christian saints was not unintelligible or evil, it
had a positive mission, it had cosmic consequences in the deed of the
salvation of the world. But where now are the saints? Is it possible still
in our time to speak about the existence of an ascetic mysticism? For
us, the act of surmounting in Christian asceticism is not a denial of
its great mission, it is not an acceptance of this world. The new religious
consciousness affirms not this chaotic and servile world, but rather the
cosmos, the sacred flesh of the world. The flesh of the world, that which
ought to be sanctified, liberated and saved -- is transcendent, as much
transcendent as also is spirit. This flesh is not material matter of this
world, this flesh is manifest as a result of the victory over the burden
and fetters of the material world. Chiliastic hopes towards the completion
of history by a Kingdom of God upon earth, a sense-perceptible realm of
Christ, is not the expectation of a kingdom of this world: chiliasm is
not a kingdom of this world, but rather in this world. And with chiliasm
is connected the world-historical resurrection of the flesh, a religious
affirmation of the flesh of the world. What sort of flesh however is it
that Rozanov loves, what sort of religion of the flesh does he preach?
The question about the origin and
essence of evil for Rozanov is unresolved, and it is not even posited.
Pantheism is always one-sided, it does not sense the tragedy of the world,
enclosed in it is only part of the truth. If the world is so fine and
divine, if in it itself there is an immanent justification, if there is
unnecessary any sort of a transcendent egress from world history, then
it is incomprehensible, from whence hath appeared the evil of this world
and the terror of the here and now life. For Rozanov, evil is some sort
of an unintelligible, an accident, a fatal mistake of history, going off
on a false path. From whence is it that Christ appeared, from whence is
the power, according to Rozanov, of His dark visage? Why does the religion
of death have such an hypnotic hold over human hearts? Why does death
mow down worldly life? Rozanov is unable to answer even one of these questions.
He hides himself away from evil, within the joy of familial life, in the
sweetness of being, and with jelly-jam he wants to sweeten the bitter
pill of life. Rozanov cries out: I am fed up with tragedy, the sufferings
have exhausted me, I want to hear nothing about death, I cannot take already
the dark rays, I want the joys of life, I want only to accept the divine
world. Overwhelmed by everything, all exhausted, there is nothing thou
canst do, evil is actual, and not an hypnotic sleigh of hand. Sex, cries
out Rozanov, -- here is salvation, here is the divine, here is the overcoming
of death. Rozanov wants to set up sex in opposition to the Word. But sex
is poisoned at its source, sex perishes and is subject to decay, sex is
something dark, and only the Word can save him.
And if there be seen in Christ
a dark principle of non-being, hostile to the divine world, then this
is already a very profound failing of pantheism, this is a fracture, which
pantheism cannot bear up under. But Rozanov is quite the mystic, he quite
latches onto the Person of Christ, in order to explain rationalistically
the mysterious might of this Person. Rozanov senses this irrational mystery.
But the evil of the world -- is likewise an irrational mystery, and a
pure pantheism comes to an halt before this mystery with a sense of helplessness
and awkwardness. Rozanov says right out, that the religion of death has
come from Christ. But let him also say right out, from whence the death
has come, how can it be compatible with an immanently divine world.
The extolled “world” of Rozanov
is a cemetery, in it everything is poisoned by a deadly venom. Rozanov
wants in the cemetery to grow the flowers of divine life and to console
himself with the fertility of the rotting corpses. Rozanov apotheosises
the biological fact of birth, but the mystical enigma of life is contained
not within the biological birth in time, it is connected with the mystery
of death. Rozanov does not want as it were to see the duality of human
nature, its belonging to two worlds, he closes his eyes to
the opposition between the eternal impulses of man, between the potentiality
of absolute life lodged within himself and the relativity of the here
and now life of man, the limitedness of all here and now realisations.
But religion does possess this metaphysical and anthropological taproot,
within the duality of human nature there is rooted a religious thirst.
The religion of Christ denies within this world its sense of limitation
and servile bounds, denies it in the name of an absolute unlimitedness
and freedom -- herein lies the meaning of the opposition. If Rozanov had
a deep sense of person, a feeling for the tragic antinomy of each individual
human being, he would then not have posed thus the dilemma: the “world”
or Christ. Beforehand would have had to be posed the dilemma: the world
or the person. In the “Rozanov world”, the person perishes together
with all its own absolute potentialities. But Christ has appeared: in
Christ the person is saved and there is realised all its own absolute
potentialities, its filiation-sonship to God, wherein it is called to
participation to Divine Life. Christ also is in this world, in which is
affirmed the being of the person in the Divine economia. And therefore
the dilemma -- “Christ or the world” is stripped of all religious significance,
or else comes to assume a meaning other than Rozanov’s. True being is
the person, and not the race, the true universal union of persons is the
Divine-human Sobornost’, and not impersonal nature. To affirm the fullness
of being in the world -- means to affirm an other, an authentic world,
and not the natural order. But Rozanov does not believe in the supra-natural,
he brushes off every distinction between a mystical sensation and an empirical
sensation (this also is an immanent pantheism), and therefore the religion
of Christ presents itself to him as an illusionary comfort, and not a
real egress. I propose for Rozanov one question, upon which everything
depends. Was Christ resurrected, and what then becomes of this dilemma,
-- the world or Christ, -- if Christ was resurrected? Believing in the
reality of the Resurrection, would he have suggested, that the religion
of Christ is a religion of death? But Rozanov, together with all the rationalists
and positivists, is compelled to see in the Resurrection only an hoax,
merely a myth, and for him in Christ it is death that conquers, and not
life. Herein however the struggle of Rozanov with Christ ceases to be
mystically terrible. It would be terrible, if that while believing in
the reality of the Resurrection, he nonetheless had the wherewithal to
demonstrate, that the religion of Christ is a religion of death. That
“real” social reforms are by far more effective for life, than the “illusionary”
Resurrection of Christ, -- we have heard this from all the positivists
and we are not in the least afraid of this. Rozanov imperceptibly tumbles
down the slippery slope towards a vulgar positivism, the adolescent fuzz
on the chin forces its way through for him [and the strange impression
yields in him the youthful attraction with radical social ideas. The things,
that Rozanov now speaks about, are things usually talked about at an incomparably
younger age. Soon he will outgrow the honeymoon period of his romance
with positivism and socialism, the consequent results of an irreligious
European culture.]
[A former conservative, a
reactionary almost, Rozanov, as a contributor to the “Russkii Vestnik”
and the “Moskovskii Vedomosti”, has begun to flirt with revolutionary
elements, and imperceptibly he has been reborn a radical. But his political
uninformedness, I would say, ignorance almost, precludes Rozanov from
getting a grasp on the existing political currents, he remains foreign
to politics in the unique sense of the word. To the great chagrin of all
those, who read this first-class writer, and hearken to his words, his
physiognomy remains twofold, his radicalism seems wanting in seriousness,
a caprice of his temperament. I think, that the attraction of Rozanov
towards a social radicalism, his love for the “left” has deeper a root.
Rozanov feels, that the workings of an immanent pantheism and a naturalistic
mysticism can profit from the union of socialism with a degenerated religion,
its union with the progressive social approach of this life. Socialism
promises to enrich and to organise both the natural world and natural
mankind. A pantheism of Rozanov’s type could enrich and poetise the prosaic
setting of the social order, could perhaps inspire joy for the material
life. His immanentist attitude towards this world and the joys of this
life and his hostility towards the transcendent set him at one with socialism
and even with positivism. But the “left” are such bunglers, that they
have no desire to make use of Rozanov, and Rozanov continues to endure
no little abuse from them: Rozanov, certainly, always remains the mystic,
in him too strong is the direct immediate feeling, and he would never
consent to be shuffled off to the kitchen, because of his extreme talent
his spunk would always be more powerful than his silly “leftwardness”,
his dilettante and trite radicalism. There is an authentic and deep radicalism,
and the radicalism underlying Rozanov’s setting forth of the question
of sex and the flesh is quite more genuine, more sincere and remarkable,
than his flirting with the “left”.4]
There are merits
to Rozanov in his criticism of official Christianity and official churchliness
which as such are tremendous, while by his themes he has done a service
to the new religious consciousness. (With an unusual radicalism, he has
set before the Christian consciousness the question about its attitude
towards the life of the world and in particular towards the source of
life -- towards sex.) He has had a great influence upon Merezhkovsky and
“Novyi Put’”, and he has all but set the themes of the “Religio-Philosophic
Gatherings”. (He has done much for the betterment of the position of those
born out of wedlock.) People are quite apprehensive of Rozanov, yet they
are quite preoccupied with him, and his influence on the one hand has
been beneficial and creative, but on the other -- harmful and quite suffocating.
Rozanov has hypnotised everyone with his dilemma of “Christ or the world”,
while all the same this dilemma that Rozanov posits, does not exist. It
is generated by a confusion and obscurity of consciousness. The theme
of Rozanov is very vital, very frustrating for official Christianity,
for the church coffers, but Christ it does not touch upon, towards Christ
it involves perhaps a weakness of consciousness, merely as in an eclipse.
When Rozanov says, that Christian marriage does not exist, that the Church
in effect sanctions against love, when he posits the question about the
sacramental mystery of marriage thus, that if this sacrament genuinely
exists, then in the Church there ought to happen the union of the sexes,
-- in this he is empowered and radicalised, and has ingeniously made bold
with what is important for us. The official Church cannot and has not
answered Rozanov anything. But what has this religiously-pervasive question
in common with the theosis-deification of this world, immanently assumed,
with the attempt to defeat Christ by a lifestyle? The historical Church
very much even acknowledges the familial way of life, and in general lives
off of it, but the sacramental mystery of love it does not acknowledge,
it does not see the transcendence of the mystery of marriage. The official
churchly establishment is hostile not to this world nor to the manner
of life crystalised within it, it is hostile to the cosmos, to the Divine
flesh of the world, and in this is the tragedy of the Church. The Church
as it were is hostile to the very idea of the Church as a cosmic organism.
But there has been born a new religious consciousness, thirsting for a
transfigurative flesh, and not the aboriginal flesh of old. The aboriginal,
the pagan, perishable flesh continues by a stealthy path to live on in
the Church, but the new resurrective flesh within it there is still not,
it is not manifest. Rozanov pronounces his own judgement upon the Church
as the representative of this old, pagan perishable flesh, which moreover
also occupies too much a place in the Church. [Here is why the “Religio-Philosophic
Gatherings” did not succeed thus in falling under the sway of Rozanov.]
Christ -- is the perfect,
the Divine Child of God, the Image of the Cosmos. The ChristChild is the
absolute norm for the world-children. In the Name of His Son, the Logos,
God hath created the world, through the Son the world is filiated in sonship
to God, it returns to the Father. Christ is the Divine Mediator between
God and the world: if there were not Christ, then the world would not
be the child to God, and the pantheists could not perceive even their
own partialised truth -- the divineness of the world. Only the world,
having accepted into itself Christ and having entered into Christ, only
such a world is wrought into a child of God, and divine. This world is
fallen away from God, and therefore it lies in evil, and therefore its
divineness is fractured, impaired, and our world -- is but doubtfully
divine. But the world retains a connection with God, and this connection
in the mystical order of being is the Son of God, the God-Man, of God
and of the World, the eternal Intercessor. This connection was incarnated
within history in the Person of Christ. Through the God-Man, of-God-of-World
-- the world becomes divine, is deified. Between Christ and the world
there exists only what seems empirically an opposition, issuing forth
from the weakness of the human consciousness, but underneathe it lies
hidden the mystically-real union. Within the historical bounds of Christianity
the conjoining of Christ and the world is insufficiently seen, inasmuch
as the cosmic epoch of redemption has not been brought to completion.
Only within the Divine dialectic of the Trinity is there ultimately perfected
the conjoining of the world with God, only in the Church to come will
the flesh of the world resurrect. In the Spirit disappears every opposition
betwixt the two children of God, between the world-child and the ChristChild.
Christ hath manifest Himself the God-Man, the Holy Spirit manifests God-manhood.
In God-manhood transpires the theosis of mankind, the theosis of the worldly
flesh. But the new sacred flesh cannot be the old pagan and perishable
flesh, that about which Rozanov concerns himself: into the new world indeed
will enter all the elements of our world, transfigured however, and nothing
destroyed, but all enlightened. We look forwards, and not backwards, we
look to the coming Kingdom of God, and not to a lost paradise of the past.
We desire to be as though it were religious revolutionaries, and not reactionaries.
[By a capricious historical irony, religious reaction sometimes is combined
with a social revolutionary trait.] Rozanov strives not towards the realm
of the Spirit, not towards the realm of God One in Trinity, but towards
a realm of God the Father: the realm of God the Father cannot still yet
be, it is incompatible with the mystical dialectic of the Trinity, ultimately
co-uniting the Creator with the creature, and it would nowise differ from
the atheism, from which pantheism is separated only by an elusive boundary.
In the world is being born a new
religious spirit. This spirit is deeply connected with the very old, with
that which was eternal in the old soul, but within it are being revealed
new horizons. For the new religious outlook and consciousness, -- having
lived through the whole experience of modern history with all the
profound doubt and negation, the question about the Church has to
be posited otherwise, than it was for the consciousness of old. We seek
the Church, into which as it were has entered all the fullness of life,
the whole worldly experience, everything of value in the world, everything
within history that has been of authentic value. Beyond the walls of the
Church nothing ought to remain, except non-being. The Church is a cosmic
power, the deified soul of the world, and the Church is also the Divine
world, the imperishable connection betwixt God and the world. Entry into
the Church is also an entrance into the authentic world, and not a leaving
and going out from the world. People of the old religious sensibilities
and the old religious outlook go into the Church to save themselves from
worldly life, to atone their sins accumulated in the world, but everything
by which they live they then leave at the church-yard gate, everything
that is most precious for them, most dear in their lives, all the creative
impulses, [their fond dreams,] all the complexity of their experience,
the whole path of world history -- all this does not enter with them into
the Church, does not venture to go within. This dualism we can no more
endure, this dualism has become godless, it deadens the religious life,
it is a blasphemy against the Holy Spirit. Within the Church there ought
to be everything that is dear for us, everything that is precious for
us, everything that is suffered by us in the world, -- our love, our thought
and poetry, the whole creativity excluded from the Church for us by the
old consciousness, all our great worldly people, all our anticipated hopes
and dreams, everything, transcendent in our life and in worldly life.
The Church ought to be the plenitude and fullness of life, the richness
of being, and not a seminary priestmonk’s cowl, which those in power keep
their hands upon. Dostoevsky and Vl. Solov’ev did more than anyone for
the new religious impetus, and these were our greatest people, our teachers,
but their religious soul was still half the old. Dostoevsky and Vl. Solov’ev
were very complex people, having lived deeply through all the experience
of modern history, having passed through all the temptation and the doubt,
yet in them was accumulated much of the new riches. But into the Church
they came as of old, all their riches did not enter in with them into
the Church, all their experience did not render this Church more expansive
and spacious, within the Church they but negated themself. The religio-philosophic
system of Vl. Solov’ev is far broader than his churchly religiosity, in
it there is the idea of God-manhood, but in his Church there is still
not a divine-human life. Dostoevsky in his “Legend of the Grand Inquisitor”
reveals religiously the remote, he senses the unspeakable religious freedom,
but he goes into the Church with a mindset closed to all horizons. Wherefore
I think, that none of the existing historical churches is the universal
Church, none yet contains within itself the fullness of revelation, but
the world seeks for the Universal Church, it thirsts to devote its life
to it.5
Rozanov says, that
we are pantheistic with the idea of the Church, but that this pantheistic
tendency has nothing in common with its immanent pantheism. The Universal
Church, containing all the fullness of being, is the Church of God One
in Trinity, the Church of the Holy Trinity; in it ultimately disappears
the seeming opposition between the world and Christ. In the light of the
new consciousness is born yet another dilemma: the Christianity of the
official-chambers, or Christ. The Christianity of the official-chambers
is the old world, the old lifestyle; Christ is a new world, contrary to
every lifestyle.
Nikolai Berdyaev.
[1908]
(1944 unpublished redraft)
© 2002 by translator Fr. S Janos
(1908 - 149(4) - en)
KHRISTOS I MIR (Otvet V. V. Rozanov). Published originally in “Russkaya
Mysl’” 1908, No. 1, p. 42-55; appearing then also in “Zapiski CPB religiozno-philosophskogo
obschestva”, 1908, No. 1 (Klep. #149).
Included thereafter in 1910 book “Dukhovnyi krizis intelligentsii”,
Spb, sect. II-4.
Reprinted by YMCA Press Paris in 1989 in Berdiaev Collection: “Tipy
religioznoi mysli v Rossii”, (Tom III), ctr. 329-348, in the draft
form of 1944 unpublished revision: [bracketed text] is 1944
deletions from 1908 original; (parenthesis text) is 1944 new inclusions
to 1908 original.
1 trans
note: This is the draft form text of Berdyaev’s 1944 unpublished
revision:
[bracketed text] is of 1944 deletions from 1908 original;
(parenthesis text) is of 1944 new inclusions to 1908 original.
2
(The Peterburg Religio-Philosophic Gatherings of 1903-1904 were meetings
of Russian writers, religious seekers, together with hierarchs of the
Church.)
[3
It suffices but to read through Justin the Philosopher, Ireneius of Lyons,
and other apologetes and teachers of the Church, in order to perceive,
how inaccurate is that viewpoint, which sees within Christianity an hostility
to the flesh of this world. Christianity in particular has defended the
flesh of the world and the earth from the spiritising negation by Platonism,
Gnosticism, etc.]
[4
What I wrote initially was more than two years ago. Rozanov has since
then quite changed, having returned to his original settings. And subsequent
years have seen from him a series of brilliant, religiously penetrating
articles.]
[5
By this, however, I certainly do not deny, that the path to the utmost
fullness of the Universal Church lies through the sanctity of the historical
churches, through their sacramental mysteries.]
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