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Andersson, Knut. At the Times of Jan van Eyck and the "Housebook Master" Albrecht Durer the Elder. 2008.

Опись А, №40479.

Размещена на сайте http://www.artresearch.se. Cайт создан не позднее 2008 г., в 2010 г. книга ещё издана не была.

Contents

Introduction 7

Jan van Eyck as Miniature Painter at the French Court 13

Festivities in the Circle of Dauphin Louis, Duke of Guyenne 13

The April, May and August Miniatures in the Tres riches heures 17

The Court Painter Haincelin Identified with Jan van Eyck 21

Jan van Eyck Among Contemporary Master Miniaturists 25

Jan van Eyck and Jacques Coene (?Jacquemart de Hesdin`?) 29

The Master of the Rohan Book of Hours Identified 35

Hubert van Eyck, Robert Campin and the Ghent Altarpiece.

Misunderstandings and Falsifications 40

The Adoration of the Lamb Witnessed 40

Robertus – Elder Brother of Jan 45

The Very First Identified Contemporary Description of a Painting

by Jan van Eyck 51

Jan van Eyck?s Innovation of Passport Portraits in Oil 55

Early Netherlandish Portrait Paintings Reconsidered 59

Jan van Eyck?s Portrait of Arnold, Duke of Guelders,

and the Arnolfini Misunderstandings 67

Duchesses of Cleves and Books of Hours 74

Plaidoirie d?amours 74

The Hours of the Cleves Sisters 81

Jean Fouquet and Early Portrait Painting 86

Young and Famed in Florence 86

Painter of Kings and Courtiers 91

A ?Cologne? Master Who Probably Wasn?t There 97

In Search of the Master of the Medieval Housebook 102

Collectors of Housebook Manuscripts 102

Courtly Festivities Remembered 111

The Creator of the Housebook Style Identified 117

A Travelling Young Genius 117

At the Perfection of Metal Engraving 129

The Question of Different Hands 135

Lienhart Holl and Albrecht Durer the Younger 147

Early Woodcut Illustrated German Incunabula 147

The Lubeck Connection 155

At the Journey?s End 163

List of Illustrations 173

Cчитает, что Часослов Роганов создан Andrе Beauneveu. На портрете "Арнольфини" на самом деле Arnold of Guelders, герцог. В реестрах он "Arnould fin". Возможно, с Маргаритой, сестрой Ван Эйков. Портрет написан не Ван Эйком, а в 1451 г., когда герцог паломничал в Палестину, возможно, ван дер Вейденом - в Италии в 1450 г.

Первый портрет маслом в Лондонской национальной галерее - не Робер Кампен, а Николай Кузанский, это конец 1440-х.

 
 
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